A Skunk on a pew is immovable. Would YOU want to tell him to leave? I think not.
I rest my case.
On a cold winter day you need to feel the sun shining in the window and create a cozy, warm atmosphere. 

Day three of shark week. I didn't have time to make a great shark image for today, but I have this pencil sketch from doodling around thinking of ideas. The thought here was a shark with oil dripping off him. I just don't know WHAT could have inspired that idea. 

So, here is the story so far. Guy Francis bought a banjo and then drew a picture of a pig playing a banjo. He challenged Stacy Curtis to draw a banjo pig too. Now lots of us are drawing banjo pigs. It's a lot more fun than working...
I had to get in on the pig playing banjo thing. I mean, I live in Nashville, TN for crying out loud... and at one point I could actually plan"Foggy Mountain Breakdown" on my crummy banjo. So here is my piggy.


I recently made this illustration for a magazine article. The segment I illustrated was a brief story about a donkey in a Christmas pageant that saw the spotlit angel in the balcony. The donkey HEE-HAWED and sat down to the delight of the audience.
The assignment was a frazzled teacher with three kids running amuck. Don't you love the word "amuck?" Try to slip it in your conversation today when you are talking with someone. This was the first sketch I submitted. It didn't fly... the teacher looked too old. Oh, well...
Sketch 2wo went over better. So, maybe I should have done this one first. Mental note to self: Send second sketch first next time...
Here is the final image with lots of bright colors as requested, a twist of lime and a dash of Tabasco.
Here are some of the pets I designed that you can collect by playing PackRat on Facebook. It is a challenge for me to make icons that are so small. I try to make the images as simple as I can, and then cross my fingers and hope they look good when they are reduced down to 64x64 pixels. Click to enlarge.
ta-daaaaaaa...
And here is a peek inside. 


Here is my editor approved, 100% full size sketch with revisions and extra cheese. I put a sheet of Clearprint Design Vellum over it to do my inking on. In olden days of yesteryear, I used to trace the sketch onto watercolor paper with a lightbox so I could ink it and color it with watercolor. Now I can skip one whole time consuming step by going right to the inking stage on the vellum. At this point I can still make slight adjustments in the placement of things by just moving the vellum a bit to put the object in a slightly different position. The tweaking never ends...
Here are my archaic tools. I found this old ink bottle holder many years ago. It keeps my ink bottle from sliding off my drawing board. I don't like the narrow openings on most ink bottles so I found this little bottle with a wide mouth that I fit into the holder. A few rounds of duct tape helped it to fit in the hole better. Duct tape just makes everything better doesn't it? I have tried different pen points, but seem to just like the basic #102 crowquill available at any art store. And there is the little piece of paper where I test the ink to make sure it is flowing before I put the point on the REAL thing.
Here I am pretending to be inking, but I'm really just holding my pen while I fumble around with my camera in my left hand and try to take a picture. I have spent a large part of my life influenced by and imitating comic strips and editorial cartoons. I love the line work of many artists from Ronald Searle to Walt Kelly to Jeff MacNelly to Bill Watterson to Charles Schulz... the list goes on and on. I seem to be addicted to the black line. And I like the feel of drawing on real paper and inking with a real dip pen. I may end up doing all this digitally someday... SOMEday... but not today. Today I will get actual ink on my actual fingers. And it ain't easy to get that stuff off, believe me!
OK, now I have to get the linework into my computer and my Epson scanner does this for me. 80% of all the illustration I do fits on the basic 8.5 x 11 inch vellum and I can scan it. About 20% of the time I have a larger illustration and have to scan it in sections and stitch it together in Photoshop. Once I have scanned in the inked drawing, I can clean it up in Photoshop with the eraser. I usually end up dragging my finger through the wet ink somewhere and Photoshop has saved me thousands of dollars that I would have spent buying white out paint.